Somewhat later then planned but i wont
pass on this opportunity to share something i came across last month, in
a way it stunned me..Here I was , a life embedded in music and what did
i really know ? That's not all what do all these artists really know
about the properties of sound ? So Last month i came across the work of
Dr Horowitz a multiple Harvard graduate with a bright career , until he
found out what was really going on in big pharma and (secret) bio labs
when he decided to crusade against them from the early nineties onwards
(obviously these days he's been rebranded a conspiracy theorist-duh).
He's written a number of great books , he's been a real pain in the ass
for the powers that be, but most importantly for him and us it's not
just negative, frightning stuff, he's written books on healing too, like
The Healing Codes for the biological apocalypse and the one on offer
elsewhere here. Love, the Real Da Vinci Code. Inspiring man, yet very
american. Well there's much more as this post seems to be growing whist
i'm working on it.
"Sound is the medicine of the future." Edgar Cayce
Most ancient cultures used the seemingly magical power of sound to heal. Sound healing had almost disappeared in the West until the 1930s when acoustic researchers discovered ultrasound and its medical properties. With this discovery, research burgeoned and today the ancient art of sound healing is rapidly developing into a new science. There is now a mass of research into the healing benefits of ultrasound, including its use in breaking up kidney stones and even shrinking tumours In addition, infrasound and audible sound are now recognized as having immense healing properties.
The Aboriginal people of Australia are the first known culture to heal with sound. Their didgeridoo has been used as a healing tool for at least 40,000 years. The Aborigines healed broken bones, muscle tears and illnesses of every kind using their enigmatic musical instrument. Interestingly, the sounds emitted by the yidaki are in alignment with modern sound healing technology. It is becoming apparent that the wisdom of the ancients was based on sound principles.
The Egyptian and Babylonian cultures used drums and rattles, two of the earliest known musical instruments. The low frequency sounds from drums and the ultra sound created by rattles are both now known to accelerate healing. A Greek traveler, Demetrius, circa 200 B.C., wrote that the Egyptians used vowel sounds in their rituals:
˜In Egypt, when priests sing hymns to the Gods they sing the seven vowels in due succession and the sound has such euphony that men listen to it instead of the flute and the lyre.
The healing chapel at Deir el-Bahari, Thebes, was dedicated to Amenhotep-son-of-Hapu, Imhotep's repute was so tremendous that, 1,500 years after his death, the Greeks identified him with their healing god Asclepius. Acoustics research f.i. in the pyramids has provided strong evidence that the Egyptians designed their chapels and burial chambers to be reverberant in order to enhance ritualistic chant.
Pythagoras (circa 500 BC) is credited as being the first person to use music as medicine. The flute and the lyre were two of the primary instruments used by Pythagoras and his followers for healing purposes. He is also credited with being the first to understand musical intervals from his work with the monochord, a single-stringed instrument in which the string tension was established by a fixed weight. In the Greco-Roman period healing temples were used for incubation, a process in which patients underwent dream sleep, among other known modalities. It seems likely that music was used therapeutically during their stay and the reverberant spaces of the temples enhanced the efficiency of acoustic instruments, a function of the solid stonewalls of temples and sanatoria.
Technological sound healing devices first appeared in 1928 when German scientist Erwin Schliephake discovered that sound accelerated healing. He created an acoustic device known as the Novasonic that is still available today. In 1938 another German scientist, Raimar Pohlman, demonstrated ultrasound, by the 1950 's ultrasound had become a widely used sound healing modality. Even to this day the underlying healing mechanism is not fully understood....
Music, in the absolute sense, is the invisible geometry of the cosmos, a delicate tracery of frequencies that harmonise with each other and from which all matter manifests. The conductor of this sublime symphony is the Creative Force of the cosmos, some people prefer to say: God. Music, as sensed by humans, is a delicate tracery of audible frequencies that harmonise with each other and generally please our emotions.
What is not commonly known is that music has the almost magical power to create form from formlessnes as Dr Hans Jenny demonstrated in the previous century with his research into Wave Phenomena and Vibration, he coined the term Cymatics and you should check his work....
"Sound is the medicine of the future." Edgar Cayce
Most ancient cultures used the seemingly magical power of sound to heal. Sound healing had almost disappeared in the West until the 1930s when acoustic researchers discovered ultrasound and its medical properties. With this discovery, research burgeoned and today the ancient art of sound healing is rapidly developing into a new science. There is now a mass of research into the healing benefits of ultrasound, including its use in breaking up kidney stones and even shrinking tumours In addition, infrasound and audible sound are now recognized as having immense healing properties.
The Aboriginal people of Australia are the first known culture to heal with sound. Their didgeridoo has been used as a healing tool for at least 40,000 years. The Aborigines healed broken bones, muscle tears and illnesses of every kind using their enigmatic musical instrument. Interestingly, the sounds emitted by the yidaki are in alignment with modern sound healing technology. It is becoming apparent that the wisdom of the ancients was based on sound principles.
The Egyptian and Babylonian cultures used drums and rattles, two of the earliest known musical instruments. The low frequency sounds from drums and the ultra sound created by rattles are both now known to accelerate healing. A Greek traveler, Demetrius, circa 200 B.C., wrote that the Egyptians used vowel sounds in their rituals:
˜In Egypt, when priests sing hymns to the Gods they sing the seven vowels in due succession and the sound has such euphony that men listen to it instead of the flute and the lyre.
The healing chapel at Deir el-Bahari, Thebes, was dedicated to Amenhotep-son-of-Hapu, Imhotep's repute was so tremendous that, 1,500 years after his death, the Greeks identified him with their healing god Asclepius. Acoustics research f.i. in the pyramids has provided strong evidence that the Egyptians designed their chapels and burial chambers to be reverberant in order to enhance ritualistic chant.
Pythagoras (circa 500 BC) is credited as being the first person to use music as medicine. The flute and the lyre were two of the primary instruments used by Pythagoras and his followers for healing purposes. He is also credited with being the first to understand musical intervals from his work with the monochord, a single-stringed instrument in which the string tension was established by a fixed weight. In the Greco-Roman period healing temples were used for incubation, a process in which patients underwent dream sleep, among other known modalities. It seems likely that music was used therapeutically during their stay and the reverberant spaces of the temples enhanced the efficiency of acoustic instruments, a function of the solid stonewalls of temples and sanatoria.
Technological sound healing devices first appeared in 1928 when German scientist Erwin Schliephake discovered that sound accelerated healing. He created an acoustic device known as the Novasonic that is still available today. In 1938 another German scientist, Raimar Pohlman, demonstrated ultrasound, by the 1950 's ultrasound had become a widely used sound healing modality. Even to this day the underlying healing mechanism is not fully understood....
Music, in the absolute sense, is the invisible geometry of the cosmos, a delicate tracery of frequencies that harmonise with each other and from which all matter manifests. The conductor of this sublime symphony is the Creative Force of the cosmos, some people prefer to say: God. Music, as sensed by humans, is a delicate tracery of audible frequencies that harmonise with each other and generally please our emotions.
What is not commonly known is that music has the almost magical power to create form from formlessnes as Dr Hans Jenny demonstrated in the previous century with his research into Wave Phenomena and Vibration, he coined the term Cymatics and you should check his work....
This is Hans Jenny's groundbreaking book
Cymatics - A Study of Wave Phenomena and Vibration - Volume 1 (1967)
which vividly depict how audible sound structures matter which can then
be used to diagnose and heal people of various diseases among others.
Cymatics, the study of wave phenomena, was pioneered by Swiss medical
doctor and natural scientist, Hans Jenny (1904-1972). This comprehensive
edition portrays fascinating experiments using audible sound to excite
powders, pastes and liquids into life-like, flowing forms. The stunning
array of images reflects a variety of patterns found throughout nature,
art and architecture. Dr. Jenny's cymatic images are truly
awe-inspiring, not only for their visual beauty in portraying the
inherent responsiveness of matter to sound (vibration) but because they
inspire a deep recognition that we, too, are part and parcel of this
same complex and intricate vibrational matrix - the music of the
spheres! These pages illumine the very principles which inspired the
ancient Greek philosophers Heraclitus, Pythagoras and Plato, and
cosmologists Giordano Bruno and Johannes Kepler. For Jenny, Cymatics was
no mere philosophical conjecture, but a way of life, or perhaps, a way
into life. He was a true mystic, a seeker into the infinitude of Nature,
questing for the realization of what it is to be truly human. Pictures
alone are worth a look. 135 pages, many pictures. A must see/read for
everyone.
Dr. Joseph S. Puleo, is a naturopathic
physician and Christian Minister of the gospel, co-authored the book
(Healing Codes for the Biological Apocalypse) with Dr. Leonard Horowitz,
who holds a masters degree in public health from Harvard. Dr. Puleo
spent three years researching the six tones with colleagues, Spiritual
Elders, physicists and musicians alike.
The consensus of opinion was that the Solfeggio sequence of notes was recognized as "an extremely unique interrelated series of mathematical and electromagnetic sound frequencies that include harmonic sequences similar to those found in the 'Music of the Spheres," and were possible connected to the Original Creation tones, a series of tones sung by the Elohim in the creation of life upon our planet
In Healing Codes for the Biological apocalypse they published the Secret Solfeggio Frequencies. Basically it is the "Doe, Rae, Mi, Fa, So, La, Ti, Doe" diatonic scale which we all learn in the first few grades of school. Over time, the pitch of this diatonic scale has changed and somehow Horowitz and Puleo found the original pitch frequencies. In the Solfeggio, "Ti" is missing and what we call "Doe" was known as "Ut". Here are the original pitch frequencies of these six notes:
The Six Solfeggio Frequencies include:
396 Hz = UT - Liberating Guilt and Fear
417 Hz = RE - Undoing Situations and Facilitating Change
528 Hz = MI - Transformation and Miracles (DNA Repair)
639 Hz = FA - Connecting/Relationships
741 Hz = SOL - Awakening Intuition
852 Hz = LA - Returning to Spiritual Order
The basic Solfeggio frequencies totaled six (6). Horowitz continued his search through the years and extended it to 9 frequencies. 'Most everyone is familiar with the Star of David (ancient Hindu symbol of creation) which uses two triangles (inverted to each other) inscribed within a circle. If one uses the same approach for three triangles overlapping (no inversions) and space them approximately 40 degrees apart around a circle, some amazing relationships appear. Orient the circle with one triangle apex at North or zero degrees. Label that 396. At the next clockwise point label 417, the next 528, the next 639, the next 741 and the last 852. You now have the basic six Solfeggio frequencies.
The consensus of opinion was that the Solfeggio sequence of notes was recognized as "an extremely unique interrelated series of mathematical and electromagnetic sound frequencies that include harmonic sequences similar to those found in the 'Music of the Spheres," and were possible connected to the Original Creation tones, a series of tones sung by the Elohim in the creation of life upon our planet
In Healing Codes for the Biological apocalypse they published the Secret Solfeggio Frequencies. Basically it is the "Doe, Rae, Mi, Fa, So, La, Ti, Doe" diatonic scale which we all learn in the first few grades of school. Over time, the pitch of this diatonic scale has changed and somehow Horowitz and Puleo found the original pitch frequencies. In the Solfeggio, "Ti" is missing and what we call "Doe" was known as "Ut". Here are the original pitch frequencies of these six notes:
The Six Solfeggio Frequencies include:
396 Hz = UT - Liberating Guilt and Fear
417 Hz = RE - Undoing Situations and Facilitating Change
528 Hz = MI - Transformation and Miracles (DNA Repair)
639 Hz = FA - Connecting/Relationships
741 Hz = SOL - Awakening Intuition
852 Hz = LA - Returning to Spiritual Order
The basic Solfeggio frequencies totaled six (6). Horowitz continued his search through the years and extended it to 9 frequencies. 'Most everyone is familiar with the Star of David (ancient Hindu symbol of creation) which uses two triangles (inverted to each other) inscribed within a circle. If one uses the same approach for three triangles overlapping (no inversions) and space them approximately 40 degrees apart around a circle, some amazing relationships appear. Orient the circle with one triangle apex at North or zero degrees. Label that 396. At the next clockwise point label 417, the next 528, the next 639, the next 741 and the last 852. You now have the basic six Solfeggio frequencies.
As created so far, we have 3 missing
numbers, but they can easily be created by applying this moving of
digits positions. Take the triangle that has 396 and 639. If we take the
9 and move it to the first position we have 963, which is one of the
extended Solfeggio frequencies! Thusly we can now continue the circle
one more position by adding 963. Applying this same logic to the 417 and
741 triangle to fill in the missing number we move the 1 to the first
position to develop 174 which is another extended Solfeggio number.
Continuing clockwise add 174 to the number sequence. And the 528 and 852
triangle if we move the 2 to the first position we have 285, the final
missing extended Solfeggio number. So elegantly simple.
The end result of all this or summation is the simple fact that you need to remember only two numbers: 174 and 111, and remember the principle of 3 overlapping triangles so that their points are about 40 degrees apart creating nine points around a circle and moving the last digit to the first position. Horowitz and Puleo state that these numbers are the key to creation and destruction.
The consensus of opinion was that the Solfeggio sequence of notes was recognized as "an extremely unique interrelated series of mathematical and electromagnetic sound frequencies that include harmonic sequences similar to those found in the 'Music of the Spheres," and were possible connected to the Original Creation tones, a series of tones sung by the Elohim in the creation of life upon our planet.
The end result of all this or summation is the simple fact that you need to remember only two numbers: 174 and 111, and remember the principle of 3 overlapping triangles so that their points are about 40 degrees apart creating nine points around a circle and moving the last digit to the first position. Horowitz and Puleo state that these numbers are the key to creation and destruction.
The consensus of opinion was that the Solfeggio sequence of notes was recognized as "an extremely unique interrelated series of mathematical and electromagnetic sound frequencies that include harmonic sequences similar to those found in the 'Music of the Spheres," and were possible connected to the Original Creation tones, a series of tones sung by the Elohim in the creation of life upon our planet.
Here are the numbers 1 to 9 in a standard 3x3 telephone grid
- 1 - 2 - 3 -
- 4 - 5 - 6 -
- 7 - 8 - 9 -
Read the numbers top down instead of left right and you get the first 3 Solfeggio frequencies 147, 258 and 369, when you start at the middle row and go up first and down second you get 417, 528 and 639, lastly the bottom row up and you get 741, 852 and 963 and that completes the 9 Solfeggio frequencies with 528 in the middle...Amazing isn't it, how this simple grid has been staring us in the face, yet with our tendency of reading left to right-or vice versa we don't see it consciously.
A nice page on The Ancient Solfeggio Frequencies
- 1 - 2 - 3 -
- 4 - 5 - 6 -
- 7 - 8 - 9 -
Read the numbers top down instead of left right and you get the first 3 Solfeggio frequencies 147, 258 and 369, when you start at the middle row and go up first and down second you get 417, 528 and 639, lastly the bottom row up and you get 741, 852 and 963 and that completes the 9 Solfeggio frequencies with 528 in the middle...Amazing isn't it, how this simple grid has been staring us in the face, yet with our tendency of reading left to right-or vice versa we don't see it consciously.
A nice page on The Ancient Solfeggio Frequencies
528 Hz is the heart of the
electromagnetic color spectrum (the rainbow--greenish yellow) and sound
spectrum according to Haltiwanger and Schmidt. It has been
mathematically proven fundamental to all sacred geometry and
cosmology.(Vic Showell and others) It is reported to repair damaged
DNA.(Lorenzen) It is used by military weapons technicians to tune
sophisticated hardware.(Anonymous source) It is C5 on the ancient
diatonic scale,(Nicoloff) equal to A=444Hz (as opposed to standard
tuning in A-440).(Walton and others) The A note set at 444Hz is used by
the Boston Symphony Orchestra (according to Jonathan Goldman's
research). It is the third note, MI tone, of the original Solfeggio
scale credited for producing MIracles.(Puleo) The heart of the human
being must resonate the pure tone 528Hz if we consider chakra system and
the color of 528 associated with the heart chakra. Thus, if LOVE/joy
are heart felt, then they would be carried fundamentally by the pure
tone 528Hz; that also happens to be the natural frequency the human
voice chants when the sound "AH" is chanted by groups. Many conjecture
that heart-felt loving intention empowers prayer, and LOVE is the
"Universal Healer."
Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness—all of which then tend to manifest into physical symptoms of "dis-ease."
This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.
The actual code that sparked Da Vinci’s creative genius, not mentioned in The Da Vinci Code by Dan Brown or film by Ron Howard, is a set of mathematical-musical notes, numbers, and symbols that heralds civilization's capacity for Divine-human communion.
Consequently, since all music in our contemporary world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale, they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness—all of which then tend to manifest into physical symptoms of "dis-ease."
This is in contrast to music created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and holistic health.
The actual code that sparked Da Vinci’s creative genius, not mentioned in The Da Vinci Code by Dan Brown or film by Ron Howard, is a set of mathematical-musical notes, numbers, and symbols that heralds civilization's capacity for Divine-human communion.
After all this info, what can you do
yourselves ? Well why not transcode some of your music, i've done about
30 albums at this time ..just a drop, nevertheless. What exactly did i
do..i downloaded Audacity 1.26
installed it, opened a music file, activate it...click on effect
button, chose change pitch reset A =440 to 444 hz , and saved it as...
by doing this you will get a C of 528 Hz, indeed a sacred vibe...Whilst
doing this and some experimenting i noted that this caused the file size
to shrink 2-3% , infact it was the smallest combination i tried....Does
this mean data is lost ? yes-noise. No ! This has to do with collapsing
waveforms --the better it can, the smallest file you'll get, pure sound
uses less space..Anyway you should try yourself. I'm conviced :)
here are some examples of cymatics in action
Frequencies Sound + Vibration = Secret Geometry
Cymatics Experiment Mozart "Una Donna a Quindici Anni"
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